Local scenes can play a key role in musical history and lead to the development of influential genres; for example, No Wave from New York City, Madchester from Manchester, and Grunge from Seattle. Indie scenes are often created as a response to mainstream or popular music. These scenes are created in opposition of mainstream culture and music and often contribute to the formation of oppositional identities among individuals involved in the scene. The indie music scene in Japan is active, gaining mainstream success beginning in the late s when the so-called indie boom began to emerge. Cornelius, for instance, pioneered an indie music movement called "Shibuya Sound" and released songs that gained international success such as the Pizzicato Five. There are scholars who note an interesting aspect to the Japanese indie film. This involved a Japanese protectionist licensing policy that prevents indie music from being sold in major media distribution networks.
Goat Girl: the band rebuilding London’s indie scene
Goat Girl: the band rebuilding London’s indie scene | Music | The Guardian
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If a teenager from London in came to survey youth culture in , they would be confused, perhaps appalled. While their adolescence would have been populated by cocksure indie bands in drainpipe jeans playing packed all-ages concerts in warehouses and squats, the past decade has seen London lose many of its semi-legit venues as rampant gentrification and tighter regulation have spread through the city. Young music types are more likely to be producers or weird arty savants like FKA twigs, who exist primarily online and are as likely to work with brands as their mates. The era of young fun bands seems to have stopped. But quietly, the movement is resurfacing.
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